Sound effects (SFX)

Named sound effects, produced by the shared audio engine (scripts/audio.mjs → scripts/lib/sfx.mjs). No account or key is needed:

• Openverse first, per cue. Each cue is searched on Openverse's free audio API (most sound effects come from Freesound). Search-and-download, not generation.
• The bundled 21-file library is the fallback (assets/sfx/ + manifest.json): a cue Openverse has no usable match for, and every cue once Openverse is offline or rate limited, is matched against it and the file copied into the project.

There is no npx hyperframes sfx command. SFX is never generated — it is retrieved from Openverse (online) or taken from the bundled library (offline). npx hyperframes media-use resolve --type sfx follows the same order (--local-only skips Openverse).

Licences

Only CC0 and CC BY sounds are used: never NonCommercial, ShareAlike or NoDerivatives. Each CC BY sound is credited in the project's assets/sfx/CREDITS.md (title, creator, licence, source link; for resolve, in a CREDITS.md beside the sound files it saves) and its audio_meta.sfx[] entry carries license and credit. Tell the person to include those credits wherever the video is published.

Cues — request → meta

Each line names the effects it wants: lines[].sfx: ["whoosh", "ui click"]. The engine flattens these into cues, resolves each, dedupes identical (id, name) pairs (the same effect named twice downloads/copies once), and writes audio_meta.sfx[]:

{
  "id": "3",                       // joins the cue to the caller's model (frame / scene / segment)
  "name": "whoosh",
  "file": "assets/sfx/whoosh.mp3", // downloaded or copied, relative to project root
  "source": "openverse" | "local", // which route resolved it
  "offset_s": 0,                   // delay from the line's start
  "duration_s": 0.57,
  "volume": 0.35,                  // SFX sit UNDER voice + BGM
  "license": "by",                 // Openverse only: "cc0" or "by"
  "credit": "\"Swoosh\" by Ana is licensed under CC BY 4.0. …" // Openverse only
}

A cue that matches nothing is skipped (recorded as an anomaly); SFX never blocks a render. Neither route replaces a file of yours already at the output name: the cue gets the next free name (whoosh-2.mp3), reported as an anomaly, and file carries the real path.

Openverse

One search per distinct effect name (20 results, license=cc0,by; each result's licence is checked again). The pick keeps Openverse's relevance order, prefers clips that fit a cue (15 s at most; past ~4 s ranks lower) and CC0 over CC BY when they are close. The file lands at assets/sfx/<slug>.<ext> and duration_s comes from the result. Name effects concretely (glass shatter, not dramatic sound); a vague query returns a poor match. Anonymous use allows 20 searches a minute and 200 a day: past that, the rest of the run uses the bundled library.

Bundled library (fallback)

21 curated files in assets/sfx/, indexed by manifest.json — { file, duration, description } per key (e.g. whoosh, pop, click, chime, riser, impact-bass-1, glitch-1, typing, …). A cue name resolves by manifest key, file basename, or slug, so whoosh, whoosh.mp3, or "ui click" (→ slug) all match. Matched files are copied into the project's assets/sfx/; duration_s comes from the manifest, so timing is known offline — e.g. riser is 10.03s, so trigger it at climax − 10.03s. The manifest's description field carries placement hints per effect; read assets/sfx/manifest.json for the full set and usage.

Rules

• Volume ~0.35. SFX must sit under narration and BGM, not fight them.
• No match → skip, don't fail. A missing effect logs an anomaly and moves on; never a render blocker.
• Retrieval (Openverse) or bundled library (offline) — never generation.
• One asset per distinct name. Reuse across lines is deduped to a single search and download, many cues.
• Credit CC BY sounds. CREDITS.md lists them; keep it with the project.